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The Dawn is the first album by the Filipino rock/new wave band The Dawn released on June 20, 1987. The songs "Dreams", "Give Me the Night", "Mad Game", "Behind Shadows" and "Enveloped Ideas" were performed at the Concert at the Park in Luneta. Dreams" was written by the guitarist Teddy Diaz with the band's manager Martin Galan. The intro to "Susi" has a bass line by Carlos Balcells. Teddy Diaz - lead guitar, backing vocals, keyboards. JB Leonor - drums, keyboards.
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Dawn is the fifth studio album by the German progressive rock band Eloy released in 1976. Much like their previous album, Power and the Passion, their fifth studio release follows a similar story format. The concept tells the tale of a man who after a sudden death comes back as a ghost. He tries to pass on his newly acquired knowledge to his loved one. The album ends with his dissolving into light, closing on the quote, "Nous sommes du soleil" ("We are of the sun").
The concept albums Wanted (2014) and Beyond Man And Time (2012) are widely recognized as the pinnacle of German art rock giants RPWL’s discography which meanwhile comprises more than a dozen releases. On the occasion of its 20th anniversary, the band is now set to release the long-awaited concert movie A New Dawn. It documents the last stop of the tour in support of the Wanted album and that evening the Bavarians played in their hometown of Freising, Bavaria in October 2015. With Beyond Man And Time RPWL had already started spinning the big wheel, both musically as well as thematically: the first part of the, then still evolving, album trilogy about the liberation of the mind was a direct reference to Friedrich Nietzsches opus magnum Thus Spoke Zarathustra. The multi-layered concept revolved around a protagonist, seeking his inner self.
Sly & the Family Stone's debut album is more restrained and not nearly as funky or psychedelic as their subsequent efforts, owing far more to traditional soul arrangements. These aren't that traditional, though; Sly is already using goofier and/or more thoughtful lyrics than the soul norm, and taking some cues from rock in his adventurous and unexpected song construction. The Family Stone, similarly, aren't as innovative as they would shortly become, but are already a tight unit, particularly in the interplay between lead and backup vocals and the sharp horn riffs.
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