Max Roach His Chorus And Orchestra - It's Time mp3 flac download
It's Time (LP, Album, RE, Gat). ABC Impulse! 1. 173/5, 117171/5, .
It's Time is a 1962 album by jazz drummer Max Roach, released on Impulse! Records which also features trumpeter Richard Williams, tenor-saxophonist Clifford Jordan, trombonist Julian Priester, pianist Mal Waldron, bassist Art Davis, and a vocal choir conducted by Coleridge-Taylor Perkinson. Singer Abbey Lincoln appears on "Lonesome Lover". All composed by Max Roach. Another Valley" - 8:46. Sunday Afternoon" - 6:16. Lonesome Lover" - 7:02.
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A-16 Max Roach His Chorus And Orchestra - It's Time 1962. A-17 Jackie Paris - The Song Is Paris 1962. A-18 McCoy Tyner Trio - Inception 1962. A-19 Manny Albam And His Orchestra - Jazz Goes To The Movies 1962. A-20 Shelly Manne - 2-3-4 1962. List of albums/singles by catalogue number: Impulse! Records Catalog: 9000 series - album index. Impulse! Records Catalog: 9100 series - album index. Impulse! Records Catalog: 9200 series - album index.
Harry James and His Orchestra with Kitty Kallen – It's Been A Long Long Time. Harry James & His Orchestra feat.
Max Roach has long been one of the most adventurous and stimulating improvisers in music. For this unusual CD, the drummer is featured on the 50-minute "Festival Journey," an episodic and sometimes dramatic piece by Fred Tillis that falls closer to the realm of Western classical music than to jazz. Roach is the only soloist and he frequently interacts with the orchestra, but after repeated listenings no real revelations occur. The music is interesting but not too memorable
It's Time Scans ou. pg in 0. pg back. jpg in 0. pg c. pg Max Roach - It's Time. Max Roach His Chorus And Orchestra - It's Time (1962) - 1996, FLAC (image+. Download via torrent Download via magnet.
It featured his regular performing quartet, with personnel as above, except Tyrone Brown replaced Hill; this quartet joined "The Uptown String Quartet", led by his daughter Maxine Roach, featuring Diane Monroe, Lesa Terry and Eileen Folson. Another ensemble was the "So What Brass Quintet", a group comprising five brass instrumentalists and Roach, no chordal instrument, no bass player. Roach's most significant innovations came in the 1940s, when he and jazz drummer Kenny Clarke devised a new concept of musical time. By playing the beat-by-beat pulse of standard 4/4 time on the "ride" cymbal instead of on the thudding bass drum, Roach and Clarke developed a flexible, flowing rhythmic pattern that allowed soloists to play freely. The new approach also left space for the drummer to insert dramatic accents on the snare drum, "crash" cymbal and other components of the trap set.
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